GatesyRead

  How to talk about Dostoevsky’s Crime and Punishment (1866) when the plot is complicated, the ideas complex, and so much has been said already?  I started reading the novel in 2024 and carried it with me for the first hundred kilometres of the Camino de Santiago walk in Spain, only to leave it behind in an albergue in Pamplona. I hadn’t read a word, and it was weighing down my light backpack. I bought a fresh copy back in Sydney at the end of 2024 and finished reading it in the first half of 2025. In other words, my memory of the book is already fragmented, and I have no intention of revising. What has stayed with me in these circumstances is all I promise to write about.  At the heart of the book is the characterisation of Rodion Romanovich Raskolnikov – a student in St Petersburg, who has stopped attending university and is living in poverty. He has an overactive mind, and a high intelligence alienates him from most people and threatens to derail his acceptance of s...

 I first came across Brian Castro’s fiction in the 1990s, with the intriguing Double Wolf (1991). A long time passed and I rediscovered his writing, reading The Garden Book (2005), The Bath Fugues (2009) and Street to Street (2012) within a few years. Finally, I met Brian in person in 2018 at an artist retreat run by the J.M. Coetzee Centre for Creative Practice. His presentation was entirely about Coetzee -- he struck me as a modest and friendly man -- but there was a moment around a campfire where writers shared their work, and Brian was a sympathetic and encouraging listener.  Chinese Postman opens with short paragraphs that move between third person and first-person narrative, as the narrator calls attention to a ‘bitter and twisted man’ who ‘sees nothing but fragments’ (p. 1).  He is a lonely, enduring the killing zone as his friends pass away, with a neighbour and dogs for company. Soon we are told that ‘He talks mainly to himself. Clears his throat often’ (an ...